The Mirror and the Forgetting

Every age has a mirror that reveals its wounds. In ours, that mirror glows. It fits in our palm.

But long before glass or pixel, the ancients told of a boy who saw his reflection in still water and fell in love with the image.

He leaned closer and closer, unable to turn away, until he slipped into the pool and was gone.

Only a flower remained, delicate and white, nodding gently at the edge of the stream.

It’s one of the oldest stories in the Western canon, the myth of Narcissus, the youth who mistook his reflection for reality.

And it’s also one of the most misunderstood.

The Shallow Reading

In popular culture, Narcissus is the cautionary tale of vanity, the man so obsessed with his own beauty that he perished in self-adoration. It’s the story we use to warn against ego, narcissism, self-obsession. But this reduction misses the deeper ache of the myth.

For Narcissus was not simply vain. He was lost. He didn’t know what he was looking at.

He thought the reflection was someone else. He reached for it out of longing, the same longing that lives in every human heart: the desire to be seen, to be known, to be loved.

In that sense, Narcissus is not a villain. He’s a mirror of us all.

 The Deeper Wound

The tragedy begins earlier, with the curse. When Narcissus was born, the seer Tiresias was asked whether the boy would live a long life.

“Yes,” said the prophet, “if he does not come to know himself.”

That line, if he does not come to know himself, holds the paradox of the whole story.

It’s as if self-knowledge were both salvation and destruction. To “know oneself” in the mystical sense is to awaken, to see through illusion. But to “know oneself” only through reflection is to mistake image for essence. It’s not knowledge; it’s identification with surface.

Narcissus never truly saw himself; he saw only the appearance of himself. And when he reached for it, the image dissolved.

This is the soul’s tragedy when it seeks love through recognition alone, when it becomes fascinated by how it appears rather than what it is.

 The Mirror and the Water

In mythic language, the mirror is always the threshold between worlds, between seen and unseen, outer and inner, ego and essence.

When the mirror becomes an object of desire, the gaze collapses inward; consciousness loops upon itself.

The still water becomes a trap, because the seer forgets to look through it to the living source beneath.

This is why the mystics of every tradition speak of detachment not as rejection of the world, but as freedom from the tyranny of appearances. The eye that sees only reflection cannot perceive reality. But the heart that learns to look through reflection begins to glimpse the divine.

The myth of Narcissus, then, is not about vanity.

It’s about misdirected seeing, the confusion between image and essence, reflection and reality, self and soul.

 Echo and the Lost Conversation

The story also contains a second tragedy, often forgotten, the voice of Echo. She is the nymph cursed to repeat only what others say. She cannot speak her own truth; she can only echo. When she meets Narcissus, she is drawn to him, but he cannot truly hear her.

He turns away, absorbed in his own reflection. Her voice fades until only fragments remain, whispering through valleys and time. Together, Narcissus and Echo form the perfect parable of modern disconnection. He sees but cannot hear. She hears but cannot speak.

They long for each other but never meet.

It is the human and the digital, the image and the voice, the surface and the depth, each reflecting the other, each half of a conversation that cannot find completion.

 The Mirror of Our Age

Today, the myth plays out not beside a still pool but on glowing screens. We scroll through reflections of our collective self - curated, filtered, idealised.

Like Narcissus, we are transfixed. Like Echo, we repeat what we hear, often without silence enough to know if it is true.

We’ve built an architecture of mirrors that reward attention but rarely presence. And yet, even here, the longing is sacred.

Every selfie, every post, every broadcast of selfhood is a small cry: See me. Know me. Love me. The tragedy isn’t that we look; it’s that we forget to look through.

The digital mirror, like the mythic one, can still become a place of revelation, if we remember what it’s for.

 The Chrysalis Reading

In the language of the Chrysalis Sanctuary, Narcissus represents the False Self, the image we mistake for identity. The pond is the world of reflections, opinions, appearances, personas, where the ego constantly asks, “How am I being seen?” To awaken from that trance is to do what Narcissus could not:

to lift the gaze from reflection to Reality, to move from self-consciousness to Presence.

When we learn to see the water as transparent rather than opaque, we begin to glimpse the Source beneath, the living stream of consciousness that both holds and transcends our image.

This is the transformation the Sanctuary invites: to move from Echo to Voice, from Narcissus to Soul, from reflection to light.

 The Bloom That Remains

At the story’s end, the others find Narcissus gone. But where he fell, a flower blooms.

This is the mercy hidden in the myth, the sign that even self-absorption can become awakening.

The flower grows from the place of forgetting, turning its face upward to the sun. It tells us that no gaze is wasted if it eventually becomes prayer. Even the mirror can become a teacher. Even self-obsession can ripen into self-realisation.

The soul may drown in its image for a time, but in the great rhythm of things, it will rise again, as beauty, as consciousness, as flower.

 A Blessing for the Mirror

 May you remember that the image is not the self.

May you gaze through reflection to the river beneath.

May you find your own voice, clear and kind.

And may every pool that once entranced you

become a window to what is real.

“The flower that bears his name leans ever toward the light.”


Bruce & Sue Reflect 

Sue: “You know, Bruce, Narcissus wasn’t just vain, he was lonely.”

Bruce: “Aye. Spent all his time looking for love in the wrong direction.”

Sue: “Don’t we all sometimes? Staring at reflections, hoping they’ll speak back.”

Bruce: “Like shouting into the phone and mistaking the echo for a friend.”

Sue: “Maybe that’s why the flower still grows by the water, a reminder that beauty’s born even from confusion.”

Bruce: “Yeah. Maybe the trick isn’t to smash the mirror, but to remember to look through it.”

Sue: “And to love the world without drowning in it.”

Bruce: “Now that’s wisdom, and it doesn’t need a filter.”

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The Doorway of the Soul

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Coming to the Centre